Bunt mas i inne pisma socjologiczne. Front Cover. José Ortega y Gasset. Państwowe Wydawnictwo Naukowe, – pages. Title, Bunt mas. Author, José Ortega y Gasset. Translated by, Piotr Niklewicz. Publisher, Muza, ISBN, , Length, pages. Title, Bunt mas. Author, José Ortega y Gasset. Publisher, Muza, ISBN, , Length, pages. Export Citation, BiBTeX.
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José Ortega y Gasset
Art had become a hermetic experience, accessible only to the chosen few. The polarisation of society and the negation of the unifying ideals of traditional art had therefore become the tangible results of the activity of contemporary artists. He suggests that there is no ‘me’ without things, and things are nothing without yasset The liberal tradition and journalistic engagement of his family had a profound influence in Ortega y Gasset’s activism in politics.
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Ortega y Gasset seems to occupy the opposite pole; for him, art is frivolous, ironic game lacking a metaphysical dimension. Art, according to Gadamer, can be aptly described by three concepts: The new art had become an art for selected individuals, an elite game in which each player was on his own. The first, inis by a translator who wanted to remain anonymous,  generally accepted to be J.
Cichowicz introductionWarsaw According to the Spanish thinker, the crisis of the entire contemporary culture, and art in particular, was inextricably linked to the condition of European societies in the late nineteenth and early twentieth century. His philosophy has been characterized as a ” philosophy of life ” that “comprised a long-hidden beginning in a pragmatist metaphysics inspired by William Jamesand with a general method from a realist phenomenology imitating Edmund Husserlwhich served both his proto- existentialism prior to Martin Heidegger’s  and his realist historicismwhich has been compared to both Wilhelm Dilthey and Benedetto Croce.
The new art began to operate mainly through irony, which often took the form of self-mockery. Metaphor was, at the same time, another essential feature of dehumanised art. This led Ortega y Gasset to pronounce his famous maxim ” Yo soy yo y mi circunstancia ” “I am I and my circumstance” Meditaciones del Quijote which he always put at the core of his philosophy.
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Bunt mas i inne pisma socjologiczne – José Ortega y Gasset – Google Books
Ortega y Gasset, Bunt ggasset [The revolt of the masses], in: Secondly, the aesthetic object that was its creation had the capacity to deform true reality.
Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. Credit offered by NewDay Ltd, over 18s only, subject to status. At the same time this is not the truth we deal with in modern science; it is not a question of so-called objective truth or about reaching a specific unappealable meaning. Visit our Help Pages. As krtega eyewitness to the changes in art which took place at the beginning of the twentieth century, Ortega y Gasset was sure that art, ms the threshold of that century, had been launched on a road from which there would be no turning back.
His father was director of the newspaper El Imparcialwhich belonged to the family of his mother, Dolores Gasset. Fate gives us an inexorable repertory of determinate possibilities, that is, it gives us different destinies.
But could art on such a basis preserve any cognitive value? An outline of philosophical hermeneutics] B. University of Deusto Complutense University of Madrid. Gadamer speaks in this context of a fusion of horizons, about the collision of what derives from the past with what constitutes the present perspective of the viewer. The radical opposition to traditional popular art was a deliberate process, achieved through an intentional break with the rules of communication between the artist and the viewer previously in force, the rejection of past canons of art and a departure from realist and naturalist presentation.
Bunt MAS – Jose Ortega Y Gasset
It also indicates the specific temporality of the experience of art: Gadamer, Prawda i metoda. The crisis consists of a progressive, increasingly profound lack of understanding of art, gawset, and works of art, which, by ceasing to be comprehensible, lose their vital human significance.
It is not an elite phenomenon, designed for a narrow audience, but rather seizes the attention of viewers in the form of a sensation of authenticity, which is always current and modern. The moment of change, of which Ortega y Gasset was the witness, was undoubtedly a critical moment, pregnant, however, with potential for the continued existence of art in general. German grape breeder Hans Breider named the grape variety Ortega in his honor.
At the same time, it fled from pathos, seriousness, missionary zeal and transcendence. Would yasset like to tell us about a lower price? The latter made him internationally famous. For Ortega y Gasset, philosophy has a critical duty to lay siege to beliefs in order to promote new ideas and to explain reality.
Amazon Music Stream millions of songs. Contemporary art was supposed to create new entities, aesthetic objects that lived in the objective space of the artistic world, which differed from physical and psychological reality. This flight was a departure from the traditional imitation of reality, in order to create new forms that, as Ortega y Gasset would say, were as dissimilar as possible to the fragments of human reality: In order to understand a reality we must understand, as Dilthey pointed out, its history.
Bunt mas i inne pisma socjologiczne by José Ortega y Gasset